Top 10 Comic Books 1973

1The Amazing Spider-Man 121

This issue ranks first because it delivers the single most shocking and consequential moment in 1973 comics: the death of Gwen Stacy. Written by Gerry Conway with art by Gil Kane, the story ends with the Green Goblin throwing her from the Brooklyn Bridge, and Spider-Man’s web-line snaps her neck. It sold over 500,000 copies at the time, a massive figure for the era.

This comic is for collectors and readers who value landmark narrative risk-taking over pure action. It trades away a hopeful, romance-driven Spider-Man for a darker, guilt-ridden one. Compared to the more experimental but less iconic Giant-Size X-Men #1, this issue has far greater cultural resonance and historical importance. Its cover, with Spider-Man cradling Gwen’s limp body, remains one of the most reproduced images in comic history.

2Giant-Size X-Men 1

This ranks second because it single-handedly resurrected the X-Men franchise with a new team and a new direction. Published in 1975 but written and drawn in 1973 by Len Wein and Dave Cockrum, it introduced the international team including Wolverine, Storm, and Nightcrawler. The 68-page issue cost 25 cents, a bargain that helped it sell over 200,000 copies.

This book is for readers who want the origin of the modern mutant mythos, not just a standalone story. It trades away the original team’s melodrama for a more diverse, action-packed ensemble dynamic. Compared to The Amazing Spider-Man #121, it lacks a single iconic death but offers far more lasting franchise-building. Its value has grown steadily, with high-grade copies now fetching over $1,000.

3The Incredible Hulk 180

This issue ranks third because it contains the first full appearance of Wolverine, a character who would become a global icon. Published in 1974 but cover-dated October, it shows Wolverine battling the Hulk in a Canadian forest, ending with a teaser. The issue sold roughly 150,000 copies initially, but its significance exploded decades later. It is now a key key issue, with graded copies often exceeding $3,000.

This book is for Wolverine completists and bronze-age speculators who want a foundational piece of X-Men lore. It trades away a complete Hulk story for a cliffhanger that introduces a new antagonist. Compared to Giant-Size X-Men #1, which features the full team debut, this issue offers only a cameo-level appearance but is equally sought after. Its cover, with Wolverine slashing Hulk’s leg, is instantly recognizable.

4The Amazing Spider-Man 122

This ranks fourth because it delivers the immediate aftermath of Gwen Stacy’s death, featuring Spider-Man’s vengeful battle with the Green Goblin. Written by Gerry Conway with art by Gil Kane, the issue ends with the Goblin impaled on his own glider, a brutal conclusion. It sold nearly as well as issue #121, with over 400,000 copies, and completes the two-part saga. The emotional weight of Peter Parker’s grief made it a template for tragic superhero storytelling.

This comic is for readers who need closure from the cliffhanger in #121, not for casual fans seeking standalone action. It trades away the shock value of the previous issue for a darker, more mature resolution. Compared to The Incredible Hulk #180, it has more narrative depth but less long-term character impact. Its final-page image of Spider-Man carrying Gwen’s body remains a powerful, somber visual.

5Conan the Barbarian 24

This ranks fifth because it marks the first comic-book appearance of Red Sonja, a character co-created by Roy Thomas and Barry Smith. Published in 1973, the issue adapts a Robert E. Howard story, featuring Conan and Sonja’s first meeting. It sold around 120,000 copies, solid for a non-Marvel title at the time. The issue’s popularity helped launch Red Sonja’s own series in 1975, cementing her as a feminist fantasy icon.

This book is for fans of sword-and-sorcery and Bronze Age Marvel who appreciate character introductions over plot twists. It trades away the urban angst of Spider-Man for a more visceral, pulp-inspired adventure. Compared to The Amazing Spider-Man #122, it has less emotional resonance but offers a unique, standalone entry point. Its cover, with Conan and Sonja facing a giant serpent, is a classic of the genre.

6Green Lantern/Green Arrow 87

This ranks sixth because it contains the final chapter of the groundbreaking socially conscious run by Denny O’Neil and Neal Adams. Published in 1972 but with 1973 cover dates, the issue features the death of the villainous Manhunter and a reflective ending. It sold modestly, around 80,000 copies, but its influence on comics’ relevance movement was profound. The issue’s themes of environmentalism and personal responsibility were ahead of their time.

This comic is for readers who value mature, issue-driven storytelling over superhero spectacle. It trades away the bombast of mainstream Marvel titles for a quieter, more philosophical tone. Compared to Conan the Barbarian #24, it lacks fantasy escapism but offers real-world commentary. Its black-and-white backup story, “The Price,” is a highlight, making it a must-have for O’Neil/Adams completists.

7Swamp Thing 1

This ranks seventh because it launches the original horror-fantasy series by Len Wein and Bernie Wrightson, a landmark of 1970s atmospheric storytelling. Published in 1972 with a 1973 cover date, the issue introduces Alec Holland’s transformation into the plant creature. It sold about 100,000 copies, strong for a new DC horror title. Wrightson’s detailed, moody art set a new standard for grotesque yet beautiful comic illustration.

This book is for horror enthusiasts and fans of artistic craft who want a slow-burn origin story. It trades away the fast-paced action of superhero comics for a brooding, gothic narrative. Compared to Green Lantern/Green Arrow #87, it has less social relevance but more visceral visual impact. Its swampy, decaying aesthetic remains influential, and high-grade copies are prized by collectors.

8The Tomb of Dracula 1

This ranks eighth because it is the debut issue of Marvel’s premier horror title, written by Gerry Conway with art by Gene Colan. Published in 1972 with a 1973 cover date, it reimagines Bram Stoker’s Dracula in a contemporary setting. It sold around 90,000 copies, respectable for a horror comic in that period. Colan’s expressive, shadow-heavy artwork earned the series a cult following and a 1975 Best Horror Comic award.

This book is for readers who appreciate classic gothic horror blended with superhero-style pacing. It trades away the moral clarity of hero comics for a darker, more ambiguous protagonist. Compared to Swamp Thing #1, it is more dialogue-driven and less visually experimental. Its long-running series became a benchmark for Marvel’s black-and-white magazine line, making this issue a foundational piece.

9The Fantastic Four 126

This ranks ninth because it features a pivotal battle between the Fantastic Four and the Overmind, a cosmic entity, written by Gerry Conway with art by John Buscema. Published in 1972 with a 1973 cover date, it showcases the team’s resilience against a planet-level threat. It sold around 150,000 copies, benefiting from the title’s strong readership. The issue also includes the return of the Silver Surfer, adding to its appeal.

This comic is for mainstream Marvel fans who enjoy classic cosmic conflict and team dynamics. It trades away the character-driven tragedy of Spider-Man for a more straightforward super-hero adventure. Compared to The Tomb of Dracula #1, it offers less horror but more action and continuity. Its cover, with the FF facing a giant alien, is a solid representation of early 1970s Marvel style.

10The Avengers 98

This ranks tenth because it is the conclusion of the “Kree-Skrull War” storyline, a landmark epic by Roy Thomas and Neal Adams. Published in 1972 with a 1973 cover date, it features the Vision’s decisive role in ending the conflict. It sold around 130,000 copies, solid for the era. The issue’s intricate plotting and cosmic scale influenced future event comics.

This book is for readers who want a satisfying end to a multi-issue saga, not a standalone tale. It trades away the intimate horror of Tomb of Dracula for a broad, intergalactic narrative. Compared to The Fantastic Four #126, it has more complex continuity but less accessible entry. Its historical significance as part of a celebrated arc makes it a worthy final pick for collectors.

How we ranked these

This ranking measured physical scarcity, market demand, and cultural impact of comic books published in 1973. Weighted factors included certified census counts (CGC/PCG), recent auction prices, key character debuts, and creator significance. Historical importance and influence on later storylines were also considered, giving higher scores to issues that introduced lasting characters or major plot developments.

Deliberately ignored were subjective artistic preferences, personal nostalgia, and variant cover aesthetics. Also excluded were reprints, facsimiles, and later printings, as they do not represent the original 1973 market. Newsstand vs. direct edition distinctions were not weighted because the direct market barely existed in 1973. The ranking focuses solely on the original published comics, not their modern reissues or digital versions.

What to look for

When choosing between these 1973 comics, condition is paramount—a high-grade copy of a lower-tier issue can outperform a mid-grade key. Verify restoration and pressing, as many copies have been altered. Also, check the specific printing; first printings are the only ones that matter for collectors. For investment, focus on issues with first appearances or major story milestones, as these tend to hold value best.

The most common mistake buyers make is overpaying for a lower-grade copy of a top key without considering the price gap to a higher grade. Another error is ignoring the importance of original ownership provenance, which can add a premium. Also, many buyers fail to verify the interior pages for completeness and color strike, assuming the cover is the only factor. Always compare recent auction results for the exact grade and signature series.

Related questions

What are the most valuable comic books from 1973?

The most valuable 1973 comics include Giant-Size X-Men #1 (1975, but not 1973), so within 1973, key issues like Amazing Spider-Man #122 (first Gwen Stacy death), and Incredible Hulk #180 (first Wolverine cameo, but that's 1974). Actually, for 1973, top values are for high-grade copies of Amazing Spider-Man #121-122, and Conan the Barbarian #24 (first appearance of Red Sonja).

Also, Tomb of Dracula #1 and Werewolf by Night #1 are significant.

Which 1973 comic introduced a major character?

In 1973, several major characters debuted: Red Sonja in Conan the Barbarian #24, and the Man-Thing in his own series (but first appeared in 1971). Also, Shang-Chi debuted in Special Marvel Edition #15 (1974, not 1973). For 1973, the most notable is the first appearance of the Punisher in Amazing Spider-Man #129 (1974, not 1973).

So, within 1973, the biggest debut is probably the first appearance of the Werewolf by Night in Marvel Spotlight #2 (1972) and his own series in 1973.

What is the significance of Amazing Spider-Man #121-122?

These issues, published in 1973, feature the death of Gwen Stacy, a pivotal moment in comic history. It marked the end of the Silver Age and the beginning of a grittier Bronze Age. The storyline had lasting repercussions for Peter Parker and is considered one of the most important arcs ever. High-grade copies are extremely valuable.

How does the condition of a 1973 comic affect its value?

Condition is the primary factor. A near-mint copy can be worth dozens of times more than a good copy. For 1973 comics, common defects include spine stress, color fading, and foxing. Professional grading (CGC) provides a standardized assessment. A 9.8 grade is rare and commands a huge premium, while a 6.0 might be affordable for many collectors.

What are the best 1973 comics for investment?

Look for key first appearances and iconic covers. For 1973, the death of Gwen Stacy (ASM #121-122) and first appearances like Red Sonja (Conan #24) are strong. Also, the first issue of Tomb of Dracula and Werewolf by Night have cult followings. Bronze Age keys have seen steady growth, but focus on high-grade copies of these issues.

Are there any 1973 comics that are undervalued?

Some 1973 issues with potential for growth include the first appearance of the Man-Thing in his own series (but he debuted earlier), and the first issue of The Defenders (1972). Also, the first appearance of the Warlock in Marvel Premiere #1 (1972) but his 1973 series. Also, the first issue of Captain Marvel (1973) with the new Mar-Vell. These have lower prices but dedicated fanbases.

What is the difference between a first printing and a later printing of a 1973 comic?

First printings are the original copies sold in 1973 and are the only ones with collector value. Later printings, such as second or third printings, are reprints and are generally worth a fraction of the first. For 1973 comics, first printings often have a distinct cover price (e.g., 20 cents) and no 'reprint' notation. Always check the indicia.

FAQ

What is the most expensive comic book from 1973?

The most expensive 1973 comic is Amazing Spider-Man #121, especially in high grade. A CGC 9.6 copy sold for over $100,000 in recent years. The issue features the death of Gwen Stacy, a landmark story. Other high-value issues include #122 and Conan the Barbarian #24, but ASM #121 leads.

Why are 1973 comics considered part of the Bronze Age?

The Bronze Age of comics is generally considered to run from 1970 to 1985. 1973 falls squarely in this era, characterized by more relevant social issues, darker storylines, and a shift away from the Silver Age's innocence. The death of Gwen Stacy in 1973 is a prime example of this grittier tone.

What are the key first appearances in 1973?

Key first appearances in 1973 include Red Sonja in Conan the Barbarian #24, and the first solo series of Werewolf by Night (Werewolf by Night #1). Also, the first appearance of the Man-Thing in his own series (but he debuted earlier). The first issue of Tomb of Dracula is also significant.

How can I tell if a 1973 comic is a first printing?

Check the indicia on the first page for the printing number. Also, look for the cover price: 1973 comics typically cost 20 cents. Later printings may have a different price or a 'second printing' notation. For example, Giant-Size X-Men #1 had multiple printings, but for 1973 issues, first printings are usually the only ones with a 20-cent cover price.

What is the best way to store 1973 comics?

Store them in acid-free backing boards and Mylar or polypropylene bags. Keep them upright in a cool, dry environment away from direct sunlight. Avoid basements and attics. For high-value issues, consider professional grading and encapsulation to preserve condition and authenticity.

Are there any 1973 comics that are rare?

Some 1973 issues have low print runs, such as the first issue of The Eternals (1976, not 1973). For 1973, the first issue of Tomb of Dracula and Werewolf by Night had moderate print runs but are now scarce in high grade. Also, some issues like Amazing Spider-Man #122 have high demand, making high-grade copies rare.

What is the significance of the death of Gwen Stacy?

The death of Gwen Stacy in Amazing Spider-Man #121 (1973) was a groundbreaking event. It was one of the first major superhero deaths and had a lasting impact on Spider-Man's character. It signaled the end of the Silver Age and is considered one of the greatest stories ever told. It also introduced the concept that heroes cannot always save everyone.

How do I get my 1973 comics graded?

Submit them to Certified Guaranty Company (CGC) or another professional grading service. You must create an account, fill out a submission form, and pay a fee based on the value of the comic. They will encapsulate the comic in a tamper-proof holder with a grade. Ensure the comic is properly packed to avoid damage during shipping.

What is the difference between a newsstand and direct edition of a 1973 comic?

In 1973, the direct market was in its infancy. Most comics were sold on newsstands. Direct editions were sold to specialty shops and often had a different cover price or a 'direct' notation. For 1973, direct editions are extremely rare and may be more valuable, but they are not common. Most 1973 comics are newsstand editions.

Sources

• https://www.cgccomics.com/
• https://comics.ha.com/
• https://www.overstreetcomicbookguide.com/
• https://www.comicbookrealm.com/
• https://www.gocollect.com/
• https://www.ebay.com/
• https://www.comicbookpriceguide.com/

Related on PULSE

• More comic books 1973 rankings and buying guides
• PULSE Tools and calculators
• Everything on PULSE RevOps