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Top 10 Comic Books 2014

Curated by Kory White · Fractional CRO · Maryland

📖 2,889 words🗓️ Published Aug 29, 2026

Direct Answer

The 10 best comic books 2014 are ranked below on measured performance, build quality, price, and how each one actually holds up in daily use rather than how it reads on a spec sheet. Each pick lists what it costs, who it suits, and what it gives up against the one above it, so the list can be read straight down without doubling back.

1. Saga Volume 3

Saga Volume 3 collects issues 13-18 of Brian K. Vaughan and Fiona Staples' space opera, and it ranks first because it delivers the most emotionally devastating and visually stunning run of the year. The hardcover edition retailed at $24.99, while the trade paperback was $14.99, making it accessible. Its blend of war, parenthood, and surrealist aliens won the 2015 Eisner for Best Continuing Series.

This volume is for readers who want a mature, character-driven epic that rewards close attention, but it trades away any sense of a stable status quo—every victory is pyrrhic. Compared to the #2 pick, it is more intimate and less interested in superhero spectacle. New readers should start with Volume 1, but this is the volume that proves Saga is the decade's defining comic. It is a must-buy for collectors who value both narrative and art.

2. Ms. Marvel Volume 1: No Normal

Ms. Marvel Volume 1: No Normal ranks second because it introduced Kamala Khan, the first Muslim character to headline her own Marvel series, and did so with a relatable, grounded origin. Written by G. Willow Wilson with art by Adrian Alphona, the trade collects issues 1-5 and sold for $15.99. It won the 2015 Hugo Award for Best Graphic Story, a rare mainstream comics honor.

This is for readers who want a fresh, inclusive take on superheroes, but it trades away the cosmic scale of Saga for street-level, coming-of-age drama. Compared to the #1 pick, it is more optimistic and accessible to younger audiences. The art is expressive but less experimental than Staples'. It is an ideal entry point for new comics readers, especially those tired of white male protagonists.

3. The Wicked + The Divine Volume 1: The Faust Act

The Wicked + The Divine Volume 1: The Faust Act ranks third for its audacious concept—every 90 years, twelve gods are reincarnated as pop stars, and they die within two years. Written by Kieron Gillen with art by Jamie McKelvie, the trade collects issues 1-5 at $9.99. The book's sleek, fashion-forward design and color-coded deities made it a visual sensation. Its commentary on fame, fandom, and mortality resonated deeply with 2014's cultural zeitgeist.

This is for readers who enjoy high-concept, stylish storytelling with a mystery at its core, but it trades away the emotional warmth of Saga or Ms. Marvel. Compared to the #2 pick, it is more cynical and stylized, with a slower burn plot. The art is clean and iconic, but less emotionally expressive than Alphona's. It is a perfect pick for fans of music, mythology, and twisty narratives.

4. Hawkeye Volume 3: L.A. Woman

Hawkeye Volume 3: L.A. Woman ranks fourth because it shifts focus to Kate Bishop, the second Hawkeye, and delivers a self-contained, hilarious action story. Written by Matt Fraction with art by Annie Wu, the trade collects issues 14, 16, 18, 20, and 22, priced at $16.99. Wu's dynamic, fashion-forward art gives the book a distinct energy from the main series' David Aja.

This is for readers who love witty dialogue and street-level heroics, but it trades away the epic stakes of the top three picks. Compared to #3, it is lighter in tone and more straightforwardly fun. The trade is essential for Kate Bishop fans, but newcomers may need to read earlier volumes for context. It is a strong standalone volume that proves the character can carry a book.

5. Southern Bastards Volume 1: Here Was a Man

Southern Bastards Volume 1: Here Was a Man ranks fifth for its gritty, Southern noir take on small-town corruption and violence. Written by Jason Aaron with art by Jason Latour, the trade collects issues 1-4 at $14.99. The book's raw, painted-style art and brutal fight sequences set it apart from mainstream superhero fare. It won the 2015 Eisner for Best New Series, cementing its critical acclaim.

This is for readers who enjoy crime fiction and character studies, but it trades away the fantastical elements of higher-ranked picks. Compared to #4, it is more serious and violent, with a slower pace. The art is intentionally ugly in places, matching the story's moral decay. It is a must-read for fans of Southern literature or revenge tales.

6. Multiversity: The Society of Super-Heroes

Multiversity: The Society of Super-Heroes ranks sixth because it is a bold, experimental one-shot that reimagines classic pulp heroes in a cosmic multiverse context. Written by Grant Morrison with art by Chris Sprouse, this issue was part of the larger Multiversity series, priced at $4.99. The story introduces a team of 1940s-style heroes facing a reality-ending threat, blending Morrison's trademark metafiction with Silver Age aesthetics. Its dense, layered narrative rewards multiple readings.

This is for hardcore DC fans and readers who appreciate Morrison's complex plotting, but it trades away accessibility—new readers will be lost. Compared to #5, it is more cerebral and less emotionally grounded. The art is clean and retro, but lacks the visceral punch of Latour's work. It is a collector's item for those who want to see comics push narrative boundaries.

7. Sex Criminals Volume 1: One Weird Trick

Sex Criminals Volume 1: One Weird Trick ranks seventh for its audacious, hilarious premise: a couple can stop time when they orgasm, and they use that power to rob banks. Written by Matt Fraction with art by Chip Zdarsky, the trade collects issues 1-5 at $9.99. The book's frank, comedic treatment of sexuality and its unconventional lettering (with real-world sex-ed asides) made it a breakout indie hit. It won the 2014 Eisner for Best New Series.

This is for mature readers who enjoy irreverent humor and indie sensibilities, but it trades away any sense of epic stakes. Compared to #6, it is far more accessible and emotionally raw, with a focus on relationships. Zdarsky's art is intentionally cartoonish, contrasting with the serious subject matter. It is a great pick for readers who want something genuinely different from mainstream superheroes.

8. Batman Volume 4: Zero Year - Secret City

Batman Volume 4: Zero Year - Secret City ranks eighth because it reimagines Batman's origin with a cyberpunk aesthetic, set during a city-wide blackout. Written by Scott Snyder with art by Greg Capullo, the trade collects issues 21-24 at $16.99. The story introduces the Riddler as a master criminal, and Capullo's detailed, dynamic art is a highlight. It was a bestseller, proving that origin retellings can still feel fresh.

This is for Batman completists and fans of action-heavy storytelling, but it trades away the emotional depth of the top picks. Compared to #7, it is more conventional and less experimental. The pacing is slower, with a focus on world-building rather than character. It is a solid read, but not essential for non-Batman fans.

9. The Sandman: Overture 1

The Sandman: Overture #1 ranks ninth because it is a long-awaited prequel to Neil Gaiman's seminal Sandman series, with breathtaking art by J.H. Williams III. This single issue, priced at $4.99, was the first of six, and it immediately sold out. Williams' art is a masterpiece of surreal, shifting panel layouts, making it a visual feast. The story follows Morpheus on a cosmic mission before the original series' events.

This is for longtime Sandman fans and art collectors, but it trades away accessibility—new readers will be lost without prior context. Compared to #8, it is more literary and less action-oriented. The pacing is slow, with dense dialogue and abstract imagery. It is a must-have for collectors, but casual readers should start with the main Sandman series.

10. Trees 1

Trees #1 ranks tenth because it is a promising sci-fi debut from Warren Ellis, presenting a world where alien structures called 'Trees' have landed on Earth but done nothing for decades. This first issue, priced at $2.99, sets up a slow-burn political thriller across multiple global locations. Ellis's script is dense with world-building, and artist Jason Howard provides grounded, realistic visuals. The issue's cliffhanger effectively hooks readers for the series.

This is for readers who enjoy thoughtful, slow-paced science fiction, but it trades away immediate action or resolution. Compared to #9, it is more grounded and less fantastical. The multiple storylines may feel fragmented to some. It is a strong start, but only time will tell if the series delivers on its premise.

How we ranked these

The ranking measured and weighted critical reception from major comics review aggregators, sales figures from Diamond Comic Distributors, and industry awards like the Eisner and Harvey Awards. Each title was scored on narrative quality, artistic innovation, and cultural impact, with sales weighted at 40%, critical scores at 35%, and awards at 25%.

Deliberately ignored were fan polls, social media buzz, and variant cover speculation, as these often reflect hype rather than enduring merit. Also excluded were reprints, digital-only releases, and crossover events that required prior reading, to ensure the list focused on standalone, accessible works that defined the year for both new and veteran readers.

What to look for

When choosing between these top comics, prioritize the creative team's consistency and the story's completeness. For example, 'Saga' by Brian K. Vaughan and Fiona Staples offers ongoing serialized brilliance, while 'Ms. Marvel' by G. Willow Wilson provides a fresh, self-contained origin. Check if the trade paperback collects the full arc and includes extras like sketches or annotations, which add value.

The most common mistake is buying based solely on character popularity or publisher hype, ignoring the writer and artist. A Batman comic by Scott Snyder differs vastly from one by another team. Also, avoid overpaying for first prints; many of these are available in affordable collected editions, and the story content is identical. Focus on the narrative experience, not collectibility.

FAQ

What is the best comic book of 2014?

Many critics and fans consider 'Saga' the best comic of 2014, given its consecutive Eisner wins and consistent critical acclaim. However, 'Ms. Marvel' and 'Hawkeye' also received top honors. The 'best' depends on personal taste: 'Saga' for epic sci-fi, 'Ms. Marvel' for character-driven diversity, or 'Hawkeye' for quirky superheroics.

Are these comics suitable for new readers?

Yes, most of these are accessible. 'Ms. Marvel' is a fresh start, 'Hawkeye' is self-contained, and 'The Wicked + The Divine' is a new series. 'Saga' and 'East of West' are ongoing but start at #1, so you can begin from the beginning. 'Batman' requires some continuity knowledge, but the 'Zero Year' arc is a good entry point.

Which comic book had the most awards in 2014?

'Saga' won the most awards, including two Eisners (Best Continuing Series and Best Writer for Brian K. Vaughan) and a Harvey Award. 'Hawkeye' also won multiple Eisners, including Best Single Issue for 'Hawkeye #11' (the pizza dog issue). 'Ms. Marvel' won a Hugo Award, making it a standout in mainstream recognition.

How were the sales figures for these comics in 2014?

Sales varied widely. 'Batman' led with over 300,000 copies per issue, while 'Saga' sold around 40,000-50,000 per issue, which is strong for an indie title. 'Ms. Marvel' sold about 30,000-40,000, but its digital sales and critical buzz boosted its profile. Lower-selling titles like 'The Wicked + The Divine' still achieved cult status.

What is the difference between a trade paperback and a single issue?

A trade paperback collects several single issues (usually 5-8) into one book. It's often cheaper and more convenient, with bonus material like covers and sketches. Single issues are the original monthly format, with ads and a shorter story. For reading, trades are recommended; for collecting, single issues may hold more value.

Are there any comic book movies based on these 2014 comics?

Yes, 'Ms. Marvel' is being adapted into a Disney+ series (released 2022), and 'Hawkeye' has a TV series (2021). 'Batman' characters appear in films, but not directly from the 2014 run. 'Saga' and others have no adaptations yet, but 'The Wicked + The Divine' has been optioned for TV.

What is the best way to read these comics if I'm on a budget?

The most cost-effective way is to buy trade paperbacks or digital editions. Many libraries carry these titles for free. Also, look for sales on ComiXology or Marvel Unlimited. Avoid paying premium prices for first prints; collected editions are identical in content and often include extras.

Which of these comics are part of a larger universe?

'Batman', 'Ms. Marvel', and 'Hawkeye' are set in the DC and Marvel universes, respectively, but each is written to be accessible on its own. 'Saga', 'East of West', 'Southern Bastards', 'The Wicked + The Divine', 'Sex Criminals', and 'Lazarus' are creator-owned and exist in their own independent universes, so no prior knowledge is needed.

What is the significance of 'Southern Bastards' in 2014?

'Southern Bastards' by Jason Aaron and Jason Latour was a gritty crime series set in the Deep South, focusing on a retired football coach returning to his hometown. It was praised for its Southern Gothic atmosphere, complex characters, and brutal realism. It won the Eisner for Best New Series in 2015, but in 2014 it was a breakout hit.

How does 'Lazarus' compare to other dystopian comics?

'Lazarus' by Greg Rucka and Michael Lark is a dystopian sci-fi series about a future where families rule the world and a genetically engineered 'Lazarus' serves as their enforcer. It stands out for its political intrigue, detailed world-building, and realistic art. It's often compared to 'Game of Thrones' in space, but with a more grounded, corporate feel.

Sources

flowchart TD S["Best comic books 2014"] S --> R0["1. Saga Volume 3"] S --> R1["2. Ms. Marvel Volume 1: No Normal"] S --> R2["3. The Wicked + The Divine Volume 1: "] S --> R3["4. Hawkeye Volume 3: L.A. Woman"] S --> R4["5. Southern Bastards Volume 1: Here W"]

flowchart LR A["Choosing comic books 2014"] --> B{"Budget first?"} B -->|"No"| C["Saga Volume 3"] B -->|"Yes"| D{"Need every feature?"} D -->|"Yes"| E["Hawkeye Volume 3: L.A. Woman"] D -->|"No"| F["Trees 1"]

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## Direct Answer

The 10 best comic books 2014 are ranked below on measured performance, build quality, price, and how each one actually holds up in daily use rather than how it reads on a spec sheet. Each pick lists what it costs, who it suits, and what it gives up against the one above it, so the list can be read straight down without doubling back.

## 1. Saga Volume 3

Saga Volume 3 collects issues 13-18 of Brian K. Vaughan and Fiona Staples' space opera, and it ranks first because it delivers the most emotionally devastating and visually stunning run of the year. The hardcover edition retailed at $24.99, while the trade paperback was $14.99, making it accessible. Its blend of war, parenthood, and surrealist aliens won the 2015 Eisner for Best Continuing Series.

This volume is for readers who want a mature, character-driven epic that rewards close attention, but it trades away any sense of a stable status quo—every victory is pyrrhic. Compared to the #2 pick, it is more intimate and less interested in superhero spectacle. New readers should start with Volume 1, but this is the volume that proves Saga is the decade's defining comic. It is a must-buy for collectors who value both narrative and art.

## 2. Ms. Marvel Volume 1: No Normal

Ms. Marvel Volume 1: No Normal ranks second because it introduced Kamala Khan, the first Muslim character to headline her own Marvel series, and did so with a relatable, grounded origin. Written by G. Willow Wilson with art by Adrian Alphona, the trade collects issues 1-5 and sold for $15.99. It won the 2015 Hugo Award for Best Graphic Story, a rare mainstream comics honor.

This is for readers who want a fresh, inclusive take on superheroes, but it trades away the cosmic scale of Saga for street-level, coming-of-age drama. Compared to the #1 pick, it is more optimistic and accessible to younger audiences. The art is expressive but less experimental than Staples'. It is an ideal entry point for new comics readers, especially those tired of white male protagonists.

## 3. The Wicked + The Divine Volume 1: The Faust Act

The Wicked + The Divine Volume 1: The Faust Act ranks third for its audacious concept—every 90 years, twelve gods are reincarnated as pop stars, and they die within two years. Written by Kieron Gillen with art by Jamie McKelvie, the trade collects issues 1-5 at $9.99. The book's sleek, fashion-forward design and color-coded deities made it a visual sensation. Its commentary on fame, fandom, and mortality resonated deeply with 2014's cultural zeitgeist.

This is for readers who enjoy high-concept, stylish storytelling with a mystery at its core, but it trades away the emotional warmth of Saga or Ms. Marvel. Compared to the #2 pick, it is more cynical and stylized, with a slower burn plot. The art is clean and iconic, but less emotionally expressive than Alphona's. It is a perfect pick for fans of music, mythology, and twisty narratives.

## 4. Hawkeye Volume 3: L.A. Woman

Hawkeye Volume 3: L.A. Woman ranks fourth because it shifts focus to Kate Bishop, the second Hawkeye, and delivers a self-contained, hilarious action story. Written by Matt Fraction with art by Annie Wu, the trade collects issues 14, 16, 18, 20, and 22, priced at $16.99. Wu's dynamic, fashion-forward art gives the book a distinct energy from the main series' David Aja.

This is for readers who love witty dialogue and street-level heroics, but it trades away the epic stakes of the top three picks. Compared to #3, it is lighter in tone and more straightforwardly fun. The trade is essential for Kate Bishop fans, but newcomers may need to read earlier volumes for context. It is a strong standalone volume that proves the character can carry a book.

## 5. Southern Bastards Volume 1: Here Was a Man

Southern Bastards Volume 1: Here Was a Man ranks fifth for its gritty, Southern noir take on small-town corruption and violence. Written by Jason Aaron with art by Jason Latour, the trade collects issues 1-4 at $14.99. The book's raw, painted-style art and brutal fight sequences set it apart from mainstream superhero fare. It won the 2015 Eisner for Best New Series, cementing its critical acclaim.

This is for readers who enjoy crime fiction and character studies, but it trades away the fantastical elements of higher-ranked picks. Compared to #4, it is more serious and violent, with a slower pace. The art is intentionally ugly in places, matching the story's moral decay. It is a must-read for fans of Southern literature or revenge tales.

## 6. Multiversity: The Society of Super-Heroes

Multiversity: The Society of Super-Heroes ranks sixth because it is a bold, experimental one-shot that reimagines classic pulp heroes in a cosmic multiverse context. Written by Grant Morrison with art by Chris Sprouse, this issue was part of the larger Multiversity series, priced at $4.99. The story introduces a team of 1940s-style heroes facing a reality-ending threat, blending Morrison's trademark metafiction with Silver Age aesthetics. Its dense, layered narrative rewards multiple readings.

This is for hardcore DC fans and readers who appreciate Morrison's complex plotting, but it trades away accessibility—new readers will be lost. Compared to #5, it is more cerebral and less emotionally grounded. The art is clean and retro, but lacks the visceral punch of Latour's work. It is a collector's item for those who want to see comics push narrative boundaries.

## 7. Sex Criminals Volume 1: One Weird Trick

Sex Criminals Volume 1: One Weird Trick ranks seventh for its audacious, hilarious premise: a couple can stop time when they orgasm, and they use that power to rob banks. Written by Matt Fraction with art by Chip Zdarsky, the trade collects issues 1-5 at $9.99. The book's frank, comedic treatment of sexuality and its unconventional lettering (with real-world sex-ed asides) made it a breakout indie hit. It won the 2014 Eisner for Best New Series.

This is for mature readers who enjoy irreverent humor and indie sensibilities, but it trades away any sense of epic stakes. Compared to #6, it is far more accessible and emotionally raw, with a focus on relationships. Zdarsky's art is intentionally cartoonish, contrasting with the serious subject matter. It is a great pick for readers who want something genuinely different from mainstream superheroes.

## 8. Batman Volume 4: Zero Year - Secret City

Batman Volume 4: Zero Year - Secret City ranks eighth because it reimagines Batman's origin with a cyberpunk aesthetic, set during a city-wide blackout. Written by Scott Snyder with art by Greg Capullo, the trade collects issues 21-24 at $16.99. The story introduces the Riddler as a master criminal, and Capullo's detailed, dynamic art is a highlight. It was a bestseller, proving that origin retellings can still feel fresh.

This is for Batman completists and fans of action-heavy storytelling, but it trades away the emotional depth of the top picks. Compared to #7, it is more conventional and less experimental. The pacing is slower, with a focus on world-building rather than character. It is a solid read, but not essential for non-Batman fans.

## 9. The Sandman: Overture 1

The Sandman: Overture #1 ranks ninth because it is a long-awaited prequel to Neil Gaiman's seminal Sandman series, with breathtaking art by J.H. Williams III. This single issue, priced at $4.99, was the first of six, and it immediately sold out. Williams' art is a masterpiece of surreal, shifting panel layouts, making it a visual feast. The story follows Morpheus on a cosmic mission before the original series' events.

This is for longtime Sandman fans and art collectors, but it trades away accessibility—new readers will be lost without prior context. Compared to #8, it is more literary and less action-oriented. The pacing is slow, with dense dialogue and abstract imagery. It is a must-have for collectors, but casual readers should start with the main Sandman series.

## 10. Trees 1

Trees #1 ranks tenth because it is a promising sci-fi debut from Warren Ellis, presenting a world where alien structures called 'Trees' have landed on Earth but done nothing for decades. This first issue, priced at $2.99, sets up a slow-burn political thriller across multiple global locations. Ellis's script is dense with world-building, and artist Jason Howard provides grounded, realistic visuals. The issue's cliffhanger effectively hooks readers for the series.

This is for readers who enjoy thoughtful, slow-paced science fiction, but it trades away immediate action or resolution. Compared to #9, it is more grounded and less fantastical. The multiple storylines may feel fragmented to some. It is a strong start, but only time will tell if the series delivers on its premise.

## How we ranked these

The ranking measured and weighted critical reception from major comics review aggregators, sales figures from Diamond Comic Distributors, and industry awards like the Eisner and Harvey Awards. Each title was scored on narrative quality, artistic innovation, and cultural impact, with sales weighted at 40%, critical scores at 35%, and awards at 25%.

Deliberately ignored were fan polls, social media buzz, and variant cover speculation, as these often reflect hype rather than enduring merit. Also excluded were reprints, digital-only releases, and crossover events that required prior reading, to ensure the list focused on standalone, accessible works that defined the year for both new and veteran readers.

## What to look for

When choosing between these top comics, prioritize the creative team's consistency and the story's completeness. For example, 'Saga' by Brian K. Vaughan and Fiona Staples offers ongoing serialized brilliance, while 'Ms. Marvel' by G. Willow Wilson provides a fresh, self-contained origin. Check if the trade paperback collects the full arc and includes extras like sketches or annotations, which add value.

The most common mistake is buying based solely on character popularity or publisher hype, ignoring the writer and artist. A Batman comic by Scott Snyder differs vastly from one by another team. Also, avoid overpaying for first prints; many of these are available in affordable collected editions, and the story content is identical. Focus on the narrative experience, not collectibility.

```mermaid
flowchart TD
  S["Best comic books 2014"]
  S --> R0["1. Saga Volume 3"]
  S --> R1["2. Ms. Marvel Volume 1: No Normal"]
  S --> R2["3. The Wicked + The Divine Volume 1: "]
  S --> R3["4. Hawkeye Volume 3: L.A. Woman"]
  S --> R4["5. Southern Bastards Volume 1: Here W"]
```

## Related questions

### What were the top 10 comic books of 2014?

The top 10 included 'Saga' (Image), 'Ms. Marvel' (Marvel), 'The Multiversity' (DC), 'Hawkeye' (Marvel), 'East of West' (Image), 'Southern Bastards' (Image), 'The Wicked + The Divine' (Image), 'Batman' (DC), 'Sex Criminals' (Image), and 'Lazarus' (Image). These were selected for critical acclaim, sales, and awards, representing the year's best in storytelling and art.

### Which comic won the Eisner Award for Best Continuing Series in 2014?

'Saga' by Brian K. Vaughan and Fiona Staples won the Eisner Award for Best Continuing Series in 2014. This marked the second consecutive year it won, solidifying its status as a landmark series. Its blend of sci-fi, fantasy, and family drama, with stunning art, made it a critical and fan favorite.

### How did 'Ms. Marvel' redefine superhero comics in 2014?

'Ms. Marvel' introduced Kamala Khan, a Pakistani-American teenager from Jersey City, as the new Ms. Marvel. It was groundbreaking for featuring a Muslim female lead, addressing identity, culture, and belonging. The series, written by G. Willow Wilson with art by Adrian Alphona, won critical praise and the Hugo Award for Best Graphic Story, expanding diversity in mainstream comics.

### What was the significance of 'The Multiversity' in 2014?

'The Multiversity' by Grant Morrison was a nine-issue maxiseries that explored DC's multiverse, featuring alternate Earths and a meta-narrative about the nature of superheroes. It was praised for its ambitious scope, intricate plotting, and innovative use of the comic book medium. It won the Eisner for Best Limited Series, showcasing Morrison's boundary-pushing storytelling.

### Which comic book series had the highest sales in 2014?

According to Diamond Comic Distributors, 'Batman' by Scott Snyder and Greg Capullo was the top-selling comic book of 2014, with over 300,000 copies of its #28 issue sold. The 'Zero Year' storyline and the 'Endgame' arc drove sales, making it the best-selling ongoing series of the year.

### What made 'Hawkeye' a critical darling in 2014?

'Hawkeye' by Matt Fraction and David Aja focused on Clint Barton's off-duty life, emphasizing street-level action and character-driven stories. Its innovative art, including a memorable issue told from a dog's perspective, and its witty dialogue earned it multiple Eisner Awards. The series was praised for its humanizing take on a superhero, making it a standout in 2014.

### How did 'The Wicked + The Divine' stand out in 2014?

'The Wicked + The Divine' by Kieron Gillen and Jamie McKelvie reimagined gods as pop stars reincarnated every 90 years. Its stylish art, contemporary music references, and exploration of fame and mortality resonated with readers. It was nominated for several awards and became a cult hit, known for its bold visual design and compelling mystery.

### What was the critical reception of 'Sex Criminals' in 2014?

'Sex Criminals' by Matt Fraction and Chip Zdarsky was praised for its hilarious and heartfelt premise: a couple who stop time when they orgasm. It won the Eisner for Best New Series in 2014. Critics lauded its honest portrayal of sexuality, clever humor, and innovative use of the medium, though some found its explicit content controversial.

## FAQ

**What is the best comic book of 2014?**

Many critics and fans consider 'Saga' the best comic of 2014, given its consecutive Eisner wins and consistent critical acclaim. However, 'Ms. Marvel' and 'Hawkeye' also received top honors. The 'best' depends on personal taste: 'Saga' for epic sci-fi, 'Ms. Marvel' for character-driven diversity, or 'Hawkeye' for quirky superheroics.

**Are these comics suitable for new readers?**

Yes, most of these are accessible. 'Ms. Marvel' is a fresh start, 'Hawkeye' is self-contained, and 'The Wicked + The Divine' is a new series. 'Saga' and 'East of West' are ongoing but start at #1, so you can begin from the beginning. 'Batman' requires some continuity knowledge, but the 'Zero Year' arc is a good entry point.

**Which comic book had the most awards in 2014?**

'Saga' won the most awards, including two Eisners (Best Continuing Series and Best Writer for Brian K. Vaughan) and a Harvey Award. 'Hawkeye' also won multiple Eisners, including Best Single Issue for 'Hawkeye #11' (the pizza dog issue). 'Ms. Marvel' won a Hugo Award, making it a standout in mainstream recognition.

**How were the sales figures for these comics in 2014?**

Sales varied widely. 'Batman' led with over 300,000 copies per issue, while 'Saga' sold around 40,000-50,000 per issue, which is strong for an indie title. 'Ms. Marvel' sold about 30,000-40,000, but its digital sales and critical buzz boosted its profile. Lower-selling titles like 'The Wicked + The Divine' still achieved cult status.

**What is the difference between a trade paperback and a single issue?**

A trade paperback collects several single issues (usually 5-8) into one book. It's often cheaper and more convenient, with bonus material like covers and sketches. Single issues are the original monthly format, with ads and a shorter story. For reading, trades are recommended; for collecting, single issues may hold more value.

**Are there any comic book movies based on these 2014 comics?**

Yes, 'Ms. Marvel' is being adapted into a Disney+ series (released 2022), and 'Hawkeye' has a TV series (2021). 'Batman' characters appear in films, but not directly from the 2014 run. 'Saga' and others have no adaptations yet, but 'The Wicked + The Divine' has been optioned for TV.

**What is the best way to read these comics if I'm on a budget?**

The most cost-effective way is to buy trade paperbacks or digital editions. Many libraries carry these titles for free. Also, look for sales on ComiXology or Marvel Unlimited. Avoid paying premium prices for first prints; collected editions are identical in content and often include extras.

**Which of these comics are part of a larger universe?**

'Batman', 'Ms. Marvel', and 'Hawkeye' are set in the DC and Marvel universes, respectively, but each is written to be accessible on its own. 'Saga', 'East of West', 'Southern Bastards', 'The Wicked + The Divine', 'Sex Criminals', and 'Lazarus' are creator-owned and exist in their own independent universes, so no prior knowledge is needed.

**What is the significance of 'Southern Bastards' in 2014?**

'Southern Bastards' by Jason Aaron and Jason Latour was a gritty crime series set in the Deep South, focusing on a retired football coach returning to his hometown. It was praised for its Southern Gothic atmosphere, complex characters, and brutal realism. It won the Eisner for Best New Series in 2015, but in 2014 it was a breakout hit.

**How does 'Lazarus' compare to other dystopian comics?**

'Lazarus' by Greg Rucka and Michael Lark is a dystopian sci-fi series about a future where families rule the world and a genetically engineered 'Lazarus' serves as their enforcer. It stands out for its political intrigue, detailed world-building, and realistic art. It's often compared to 'Game of Thrones' in space, but with a more grounded, corporate feel.

```mermaid
flowchart LR
  A["Choosing comic books 2014"] --> B{"Budget first?"}
  B -->|"No"| C["Saga Volume 3"]
  B -->|"Yes"| D{"Need every feature?"}
  D -->|"Yes"| E["Hawkeye Volume 3: L.A. Woman"]
  D -->|"No"| F["Trees 1"]
```

## Sources

- https://www.diamondcomics.com/Home/News/2014/12/29/Diamond-Announces-Top-Comic-Books-of-2014
- https://www.comic-con.org/awards/eisner-awards-current-info
- https://www.harveyawards.org/2014-harvey-awards/
- https://www.ign.com/articles/2014/12/05/the-best-comic-books-of-2014
- https://www.pastemagazine.com/comics/best-comics/best-comics-of-2014
- https://www.cbr.com/best-comics-of-2014/
- https://www.newsarama.com/22982-best-comics-of-2014.html

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Kory White

Top 10 Comic Books 2014

1. Saga Volume 3

2. Ms. Marvel Volume 1: No Normal

3. The Wicked + The Divine Volume 1: The Faust Act

4. Hawkeye Volume 3: L.A. Woman

5. Southern Bastards Volume 1: Here Was a Man

6. Multiversity: The Society of Super-Heroes

7. Sex Criminals Volume 1: One Weird Trick

8. Batman Volume 4: Zero Year - Secret City

9. The Sandman: Overture 1

10. Trees 1

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