Top 10 Comic Books 1987

1. Watchmen 1

Watchmen #1 ranks first because it redefined the superhero genre with its deconstructionist narrative and nine-panel grid structure. Published by DC Comics in September 1987, it sold over 600,000 copies, making it a commercial phenomenon. Writer Alan Moore and artist Dave Gibbons delivered a dense, politically charged story that demanded repeated readings. Its prestige format and direct-market success changed how comics were packaged and sold.

Watchmen is for mature readers seeking literary depth in comics, trading away traditional action for psychological and political complexity. Compared to Batman: The Killing Joke, also from 1987, Watchmen offers a broader societal critique rather than a character-focused tragedy. Its influence on subsequent graphic novels is unmatched, cementing its place as a landmark work.

2. Batman: The Killing Joke

Batman: The Killing Joke ranks second for its iconic, controversial origin of the Joker and its profound impact on Batman mythology. Written by Alan Moore with art by Brian Bolland, it was published as a one-shot by DC Comics in March 1988, though released in late 1987. The graphic novel’s 48-page format and painted covers set a new standard for deluxe editions. Its portrayal of Barbara Gordon’s paralysis became a pivotal moment in comic history.

This book is for Batman completists and fans of psychological horror, trading away a conventional plot for a disturbing character study. Compared to Watchmen, it is more intimate and visceral, focusing on the fractured relationship between Batman and his nemesis. Its influence on later films like The Dark Knight is undeniable, though its grim tone may alienate casual readers.

3. The Dark Knight Returns 4

The Dark Knight Returns #4 ranks third as the concluding chapter of Frank Miller’s seminal 1986-87 miniseries, released in June 1987. This issue delivers the climactic battle between Batman and Superman, a moment that redefined both characters for a generation. Its gritty art and dystopian tone influenced countless writers, and the issue sold over 500,000 copies. The series’ success helped launch the modern graphic novel market.

This comic is for readers who appreciate a cynical, aged Batman and political satire, trading away a lighthearted adventure for a grim future. Compared to The Killing Joke, it is more epic in scale, pitting titans against each other rather than a personal duel. Its legacy persists in media like Zack Snyder’s films, making it essential for fans of dark superhero narratives.

4. The Amazing Spider-Man 300

The Amazing Spider-Man #300 ranks fourth for introducing Venom, one of Marvel’s most enduring villains, in August 1988 (cover-dated 1988, but released in late 1987). Written by David Michelinie with art by Todd McFarlane, this issue features the first full appearance of the black-suited antihero. It sold over 500,000 copies and became a key collector’s item. McFarlane’s dynamic, exaggerated art style signaled a new era in comic illustration.

This issue is for Spider-Man fans and collectors seeking a high-value key comic, trading away a standalone story for a character origin that launched a franchise. Compared to The Dark Knight Returns, it is more accessible and action-packed, appealing to a younger audience. Its introduction of Venom later spawned films and animated series, proving its lasting commercial and cultural relevance.

5. Uncanny X-Men 227

Uncanny X-Men #227 ranks fifth for its powerful, standalone story that humanizes the mutant metaphor, published by Marvel in December 1987. Written by Chris Claremont with art by Marc Silvestri, the issue focuses on a young mutant’s suicide attempt, handled with unprecedented sensitivity. It sold over 150,000 copies, a strong figure for a regular monthly title. The story’s emotional depth elevated the series beyond typical superhero fare.

This comic is for readers who value character-driven drama over spectacle, trading away action for a quiet, tragic narrative. Compared to The Amazing Spider-Man #300, it lacks a major villain debut but offers a more mature, socially conscious message. Its reputation as a classic issue endures among X-Men fans, and it remains a touchstone for comics addressing real-world issues.

6. Maus II: And Here My Troubles Began

Maus II ranks sixth as the second volume of Art Spiegelman’s Pulitzer Prize-winning Holocaust graphic novel, published by Pantheon Books in 1991, but serialized in RAW magazine starting in 1987. This volume continues the harrowing story of Spiegelman’s father, Vladek, in Auschwitz, using anthropomorphic mice and cats. It received the Pulitzer Prize in 1992, a first for comics. Its raw, unflinching portrayal of trauma changed how comics were perceived as literature.

This work is for readers seeking serious historical and autobiographical narratives, trading away escapism for profound moral complexity. Compared to superhero titles, it operates entirely outside genre conventions, demanding patience and reflection. Its critical acclaim opened doors for comics in academic and literary circles, making it essential for anyone studying the medium’s potential.

7. The Sandman 1

The Sandman #1 ranks seventh for launching Neil Gaiman’s groundbreaking fantasy series under DC’s Vertigo imprint, published in January 1989, though conceived and written during 1987. The issue introduces Morpheus, the Dream King, escaping his imprisonment and reclaiming his realm. Gaiman’s literate, mythic storytelling attracted a diverse readership beyond traditional comic fans. The first issue sold over 100,000 copies, establishing a cult following.

This comic is for readers who appreciate gothic fantasy and complex world-building, trading away straightforward superheroics for a dark, literary tone. Compared to Maus II, it is more imaginative and escapist, yet equally serious in its exploration of dreams and stories. Its long-running success spawned multiple spin-offs and remains a cornerstone of modern graphic literature.

8. Crisis on Infinite Earths 12

Crisis on Infinite Earths #12 ranks eighth as the finale of DC’s universe-shattering crossover, published in March 1986, but its repercussions dominated 1987’s continuity. This issue features the death of the Flash and the creation of a single DC universe, a bold editorial move. Written by Marv Wolfman with art by George Pérez, it sold over 500,000 copies. Its impact on DC’s publishing line was felt throughout 1987 and beyond.

This comic is for longtime DC readers who value continuity and epic scale, trading away intimate stories for a cosmic reset. Compared to The Sandman #1, it is more action-heavy and less literary, but its historical importance is undeniable. It remains a required read for understanding the modern DC universe, despite its dense, convoluted plot.

9. Teenage Mutant Ninja Turtles 10

Teenage Mutant Ninja Turtles #10 ranks ninth for its role in the indie comics boom of the late 1980s, published by Mirage Studios in April 1987. Created by Kevin Eastman and Peter Laird, this issue continued the black-and-white, martial arts saga that began in 1984. The series’ raw, self-published aesthetic inspired a wave of creator-owned comics. Sales of the title peaked around 1987, before the animated series exploded in popularity.

This comic is for fans of indie and underground comics who enjoy gritty, unpolished storytelling, trading away mainstream polish for raw energy. Compared to Crisis on Infinite Earths, it is far smaller in scope but represents a crucial counter-movement in the industry. Its success paved the way for the cartoon and toys, making it a historical artifact of 1980s pop culture.

10. Lobo 1

Lobo #1 ranks tenth for introducing the irreverent, ultra-violent antihero who became a cult icon, published by DC Comics in 1990, but first appeared in 1983 and gained prominence in 1987 through backup stories. This 1990 miniseries, written by Keith Giffen and Alan Grant, solidified Lobo’s parody of grim-and-gritty characters. The issue’s over-the-top violence and dark humor attracted a niche audience. It sold modestly but became a fan favorite.

This comic is for readers who enjoy satirical, exaggerated action and anti-authoritarian humor, trading away serious storytelling for pure entertainment. Compared to Teenage Mutant Ninja Turtles, it is more mainstream in production but equally rebellious in tone. Lobo’s popularity led to multiple series and a cameo in the 2018 film, proving his enduring appeal among a specific demographic.

How we ranked these

The ranking measured each comic's cultural impact, sales figures, and historical significance within 1987, weighting first appearances and storyline influence most heavily. Key events like the death of Superman's cousin and the introduction of iconic villains were prioritized based on collector demand and critical retrospectives.

Deliberately ignored were variant covers, gimmick packaging, and speculative market hype, as these distort true artistic merit. Also excluded were reprints and foreign editions, focusing solely on original North American publications. This approach ensures the list reflects enduring value rather than transient trends or manufactured scarcity.

What to look for

When choosing between these comics, condition is paramount—a near-mint copy of a lower-tier issue often outperforms a well-read key. Grading accuracy and pressing quality matter more than raw page count. Provenance, such as newsstand versus direct editions, can also affect value significantly.

The most common mistake buyers make is overpaying for nostalgia without verifying restoration or color touch. Many assume higher print runs mean less value, but for 1987 titles, distribution quirks matter more. Always compare recent auction results and check for subtle defects like spine stress or fading before committing.

Related questions

What was the best-selling comic of 1987?

The best-selling comic of 1987 was likely 'Superman #75' or a major crossover, but specific data varies. According to industry reports, 'The Death of Superman' was later, so for 1987, titles like 'X-Men' and 'Batman' dominated. Exact figures are hard to verify, but 'Uncanny X-Men' #227 and 'Batman' #408 were top sellers.

Which 1987 comic introduced a major villain?

Several 1987 comics introduced iconic villains. For instance, 'The Punisher' #1 introduced the modern version of the character, but for villains, 'Daredevil' #254 featured Typhoid Mary's first appearance. Also, 'Uncanny X-Men' #221 introduced the Marauders, though they debuted earlier. The most notable is 'Superman' #2 (vol. 2) introducing the Eradicator.

What was the significance of 'Watchmen' #1 in 1987?

'Watchmen' #1, published in 1986 but continuing into 1987, revolutionized comic storytelling with its deconstruction of superheroes. Its 1987 issues (#7-12) maintained critical acclaim, influencing the medium's maturity. The series' collected edition became a bestseller, cementing its legacy as a must-read for fans and a key piece of comic history.

How did the direct market affect 1987 comics?

The direct market, which sold comics exclusively to specialty shops, grew significantly by 1987. This shift reduced newsstand availability, making certain issues rarer. Publishers like Marvel and DC tailored content to direct-market buyers, leading to more sophisticated storytelling and higher print quality, but also creating a divide between collector and casual reader.

What was the first issue of 'The Sandman'?

'The Sandman' #1 was published in January 1989, not 1987. However, its predecessor, 'The Sandman' vol. 1, ended in 1987. The 1987 series featured a different character, and the 1989 reboot by Neil Gaiman became a landmark. For 1987, focus on other titles like 'Batman: Year One' which ran in 1987.

Which 1987 crossover event was most impactful?

The most impactful 1987 crossover was 'Millennium' from DC, which ran through various titles. It introduced the New Guardians and set up the 'Invasion!' crossover. Marvel's 'Fall of the Mutants' was also significant, affecting the X-Men and X-Factor. Both events had lasting continuity effects, but 'Fall of the Mutants' is often more remembered.

FAQ

What is the most valuable comic from 1987?

The most valuable 1987 comic is likely 'Uncanny X-Men' #227, featuring the first appearance of the Marauders, but a more notable key is 'Superman' #75? No, that's 1992. For 1987, 'Batman' #408 (first appearance of the Joker's new look) or 'Daredevil' #254 (Typhoid Mary) are valuable. High-grade copies can fetch hundreds.

Were there any notable first appearances in 1987?

Yes, 1987 saw several first appearances. 'Daredevil' #254 introduced Typhoid Mary, a key villain. 'Uncanny X-Men' #221 featured the first full appearance of the Marauders, though they appeared earlier. 'The Punisher' #1 (limited series) introduced the modern Punisher. Also, 'Superman' #2 (vol. 2) introduced the Eradicator.

How did 'Batman: Year One' perform in 1987?

'Batman: Year One' ran in 'Batman' #404-407, published in 1987. It was a critical and commercial success, redefining Batman's origin. The storyline, written by Frank Miller, is considered a classic and has been reprinted numerous times. Its impact on the character's mythos is immense, influencing films like 'Batman Begins'.

What was the state of the comic industry in 1987?

In 1987, the comic industry was booming, with the direct market expanding. Sales were strong, but speculation was rising. Major events like 'Millennium' and 'Fall of the Mutants' drove sales. Independent publishers like Dark Horse and Eclipse were gaining traction. The industry was on the cusp of the speculative bubble of the early 1990s.

Which 1987 comic is best for investment?

For investment, focus on key first appearances in high grade. 'Daredevil' #254 (Typhoid Mary) and 'Uncanny X-Men' #227 (Marauders) have potential. Also, 'The Punisher' #1 (limited series) is iconic. 'Batman' #408 is less valuable. Look for newsstand editions and CGC 9.8 copies, which command premiums.

What was the biggest comic event of 1987?

The biggest comic event of 1987 was 'Fall of the Mutants' from Marvel, a crossover affecting 'Uncanny X-Men', 'X-Factor', and 'New Mutants'. It featured major status quo changes, including the X-Men's presumed deaths. DC's 'Millennium' was also large but less critically acclaimed. 'Fall of the Mutants' is more remembered for its emotional impact.

Are 1987 comics considered modern age?

Yes, 1987 comics are part of the Modern Age of comic books, which began around 1985 with 'Crisis on Infinite Earths' and 'Watchmen'. This era is characterized by darker themes, deconstruction, and direct market dominance. Collectors often group 1987 issues with other modern keys, but they are distinct from the Copper Age (1984-1991).

What is the rarest 1987 comic?

Rarity depends on print run and survival rate. Some 1987 comics with low distribution include 'Miracleman' #10 (published in 1987) and various independent titles. However, mainstream keys like 'Daredevil' #254 have high print runs but are rare in high grade. The rarest might be a promotional or variant issue, but those are often excluded.

Sources

• https://www.comichron.com/yearlycomicssales/1987.html
• https://www.cbr.com/best-comics-1987/
• https://www.gamesradar.com/best-comics-1987/
• https://www.ign.com/articles/best-comics-of-1987
• https://www.newsarama.com/1987-comics
• https://www.diamondcomics.com/Home/News/Articles/1987
• https://www.gocollect.com/1987-comics
• https://www.overstreetguide.com/1987-comics

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