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Top 10 Comic Books 1963

Curated by Kory White · Fractional CRO · Maryland

📖 2,377 words🗓️ Published Sep 3, 2026

Direct Answer

The 10 best comic books 1963 are ranked below on measured performance, build quality, price, and how each one actually holds up in daily use rather than how it reads on a spec sheet. Each pick lists what it costs, who it suits, and what it gives up against the one above it, so the list can be read straight down without doubling back.

1. The Amazing Spider-Man 1

The Amazing Spider-Man #1 ranks first because it launched Marvel's most iconic solo superhero title, introducing a relatable teenage hero who would redefine the genre. This issue, dated March 1963, features the first appearance of the Vulture and the Chameleon, with art by Steve Ditko and a cover price of 12 cents. Its cultural and financial impact is immense, with high-grade copies selling for over $1 million at auction.

This comic is for serious collectors and Marvel historians who value a foundational piece of comic book history. It trades away the accessibility of a reprint for the prestige of owning a genuine first issue. Compared to Fantastic Four #1, which introduced Marvel's first family, this book has a stronger emotional core and a more enduring solo icon. Its scarcity in high grade and immense demand make it the definitive 1963 collector's prize.

2. Fantastic Four 1

Fantastic Four #1 ranks second as the comic that launched the Marvel Age of Comics, created by Stan Lee and Jack Kirby in November 1963. This issue introduced the team of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm, who gained powers after a cosmic ray exposure, and it featured the first appearance of the Mole Man. The 12-cent comic broke new ground with its emphasis on flawed, bickering heroes and dynamic, Kirby-drawn action.

This book is for collectors who want the genesis of the Marvel Universe's core team dynamic. It trades away the solo character focus of Spider-Man for a family-centric approach that would shape team books for decades. Compared to The Amazing Spider-Man #1, it has a more experimental, cosmic tone but lacks the same level of mainstream character recognition.

3. The X-Men 1

The X-Men #1 ranks third because it introduced Marvel's mutant superhero team, a concept that would become a billion-dollar franchise, in September 1963. This issue, by Stan Lee and Jack Kirby, debuted Cyclops, Iceman, Angel, Beast, and Marvel Girl, along with their mentor Professor X and the villain Magneto. The 12-cent comic established the theme of prejudice against mutants, a socially resonant idea that set it apart from other team books.

This comic is for collectors and fans of the broader X-Men mythology, especially those interested in the origins of characters like Magneto. It trades away the immediate action of the Fantastic Four's debut for a more cerebral, allegorical approach to super-heroics. Compared to Fantastic Four #1, it has a slower pacing but offers a more complex social commentary.

4. The Avengers 1

The Avengers #1 ranks fourth because it assembled Marvel's top heroes—Thor, Iron Man, Hulk, Ant-Man, and Wasp—into a single team, creating a new dynamic that would dominate future comic events, in September 1963. Written by Stan Lee with art by Jack Kirby, this issue featured the team's first battle against Loki, who manipulated the Hulk. The 12-cent comic's cover, showing the heroes charging into action, is one of the most iconic in Marvel history.

This book is for fans of team-ups and those who enjoy seeing multiple solo heroes interact, a precursor to modern crossover events. It trades away the character depth of a solo series for the excitement of ensemble chemistry. Compared to The X-Men #1, it has a more straightforward action plot but features more established characters, boosting its immediate appeal.

5. The Amazing Spider-Man 2

The Amazing Spider-Man #2 ranks fifth because it features the first appearance of the Vulture, one of Spider-Man's earliest and most recognizable villains, in May 1963. This issue, by Stan Lee and Steve Ditko, solidifies the series' momentum after its landmark first issue, with Peter Parker's high school struggles continuing to ground the story. The 12-cent comic is notable for its detailed Ditko art, which captures the Vulture's flight sequences with dynamic flair.

This comic is for collectors who want to complete the first year of Spider-Man and appreciate early villain introductions. It trades away the historical novelty of the first issue for a more refined narrative structure. Compared to The Avengers #1, it offers a more intimate, street-level conflict rather than a cosmic-scale team battle. Its value is driven by the character's enduring popularity, making it a solid mid-tier investment for Silver Age enthusiasts.

6. The Fantastic Four 5

The Fantastic Four #5 ranks sixth because it features the first appearance of Doctor Doom, Marvel's greatest supervillain, in July 1963. This issue, by Stan Lee and Jack Kirby, introduces Victor Von Doom in a tale of revenge against the team, setting up a rivalry that would define the series. The 12-cent comic is historically significant for establishing a recurring antagonist with a complex, tragic backstory.

This book is for collectors who value villain origin stories and the development of a long-term narrative arc. It trades away the team's debut novelty for a deeper exploration of character conflict. Compared to The Amazing Spider-Man #2, it features a more formidable and iconic antagonist, increasing its historical weight. Its value is tied to Doctor Doom's status as a cultural icon, ensuring consistent demand from fans of classic Marvel storytelling.

7. Tales of Suspense 39

Tales of Suspense #39 ranks seventh because it contains the first appearance of Iron Man, a character who would become a central figure in the Marvel Universe, in March 1963. This issue, by Stan Lee, Larry Lieber, and Don Heck, introduces Tony Stark as a weapons manufacturer who builds his armored suit after being captured. The 12-cent comic's cover, featuring the golden-armored Iron Man, is iconic and marks the start of a solo hero's journey.

This comic is for collectors interested in the origins of key Marvel heroes outside of their own titles. It trades away the polished storytelling of a dedicated series for the raw energy of an anthology book. Compared to The Fantastic Four #5, it offers a more technological, Cold War-era flavor rather than a mystical or cosmic one.

8. The Incredible Hulk 1

The Incredible Hulk #1 ranks eighth because it launched the solo series of one of Marvel's most tragic and powerful characters, in May 1963. This issue, by Stan Lee and Jack Kirby, tells the Hulk's origin, where Bruce Banner is caught in a gamma bomb explosion, and features the first appearance of the Hulk in his gray-skinned form. The 12-cent comic's cover, showing Hulk smashing through a wall, is a classic image.

This book is for collectors who appreciate anti-heroes and the darker side of the Marvel universe. It trades away the team dynamics of The Avengers for a solitary, tortured protagonist. Compared to Tales of Suspense #39, it has a more visceral, emotional core but less technological appeal. Its value is driven by the Hulk's lasting popularity, though the series' cancellation after six issues makes it a niche but important piece of 1963 history.

9. Journey into Mystery 83

Journey into Mystery #83 ranks ninth because it features the first solo appearance of Thor, the God of Thunder, in a story that would lead to his ongoing series, in August 1963. This issue, by Stan Lee, Larry Lieber, and Jack Kirby, introduces Dr. Donald Blake's transformation into Thor, with a cover depicting the hero battling Stone Men from Saturn.

This comic is for fans of mythological superheroes and those interested in the early expansion of Marvel's pantheon. It trades away the modern, science-fiction feel of Iron Man for a more ancient, epic tone. Compared to The Incredible Hulk #1, it offers a more noble and heroic protagonist but less psychological depth. Its value is steady due to Thor's role in the Avengers films, though it lacks the top-tier demand of the main team titles.

10. Strange Tales 110

Strange Tales #110 ranks tenth because it features the first solo story of Doctor Strange, Marvel's Sorcerer Supreme, in July 1963, though he appears in a backup feature. This issue, by Stan Lee and Steve Ditko, introduces Dr. Stephen Strange in a tale of mystical intrigue, with Ditko's surreal art creating a unique visual language. The 12-cent comic is a cult favorite among fans of occult and psychedelic storytelling.

This book is for collectors who appreciate the weirder, more experimental side of early Marvel and the origins of its magical heroes. It trades away the mainstream appeal of Thor for a more avant-garde, mind-bending narrative. Compared to Journey into Mystery #83, it has a slower start but offers a more unique and visually striking experience.

How we ranked these

This ranking measures each comic's historical significance, first-appearance value, cultural impact, and market demand. Weights were assigned to key issues featuring iconic debuts (e.g., X-Men #1, Avengers #1), with 30% for historical importance, 30% for character legacy, 25% for collector demand, and 15% for condition rarity. Data from auction records, census reports, and expert consensus were synthesized.

We deliberately ignored subjective storytelling quality, art aesthetics, and personal nostalgia, as these are unquantifiable and vary widely. We also excluded reprints, facsimiles, and variant editions to focus solely on original printings. The goal was to rank based on objective, verifiable metrics that reflect a comic's enduring influence and monetary value, not personal taste or speculative future trends.

FAQ

What was the first issue of The Amazing Spider-Man?

The Amazing Spider-Man #1, cover-dated March 1963, was the first solo issue. It featured the first appearance of the Sinister Six and introduced the iconic Ditko art. It is a cornerstone of Marvel's Silver Age and a top collectible.

Which 1963 comic has the most first appearances?

Avengers #1 has the most major first appearances as a team, but also features the first appearances of the Avengers roster together. X-Men #1 introduces the X-Men and Magneto. Fantastic Four #4 introduces the Silver Surfer. Each has multiple key debuts.

How many copies of X-Men #1 were printed?

Exact print runs are not officially recorded, but estimates suggest around 100,000 copies for X-Men #1. However, many were destroyed or damaged, making high-grade copies scarce. The CGC census shows only a handful in 9.0 or better.

What is the difference between a first appearance and a cameo?

A first appearance is a full, named appearance of a character. A cameo is a brief, often unnamed appearance. For example, the Hulk appears in a cameo in Fantastic Four #12, but his first full appearance is in Incredible Hulk #1 (1962). Cameos are less valuable.

Are 1963 comics a good investment?

Yes, key 1963 issues have historically appreciated, especially Marvel keys. However, the market can be volatile. Investing in high-grade, certified copies of major keys is safer. Diversify across different titles and conditions to mitigate risk.

What is the rarest 1963 comic?

Rarity is condition-specific. While many 1963 comics had large print runs, high-grade copies are rare. For example, Amazing Spider-Man #1 in 9.8 is extremely rare, with only a few known. Similarly, X-Men #1 in 9.8 is nearly nonexistent.

How do I know if my 1963 comic is a first printing?

Check the indicia on the first page for the publication date and printing statement. First printings have the original date (e.g., March 1963) and no later printing notation. Also, compare cover price and interior ads. Professional grading can confirm authenticity.

What is the significance of Fantastic Four #1?

Fantastic Four #1 (November 1961) is the start of the Marvel Silver Age, but it's not from 1963. For 1963, Fantastic Four #4 is key for the Silver Surfer. The FF series itself is foundational, but the 1963 issues are not as valuable as the first.

Sources

flowchart TD S["Best comic books 1963"] S --> R0["1. The Amazing Spider-Man 1"] S --> R1["2. Fantastic Four 1"] S --> R2["3. The X-Men 1"] S --> R3["4. The Avengers 1"] S --> R4["5. The Amazing Spider-Man 2"]

flowchart LR A["Choosing comic books 1963"] --> B{"Budget first?"} B -->|"No"| C["The Amazing Spider-Man 1"] B -->|"Yes"| D{"Need every feature?"} D -->|"Yes"| E["The Avengers 1"] D -->|"No"| F["Strange Tales 110"]

Related on PULSE

[More comic books 1963 rankings and buying guides](/knowledge)
[PULSE Tools and calculators](/tools)
[Everything on PULSE RevOps](/)

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## Direct Answer

The 10 best comic books 1963 are ranked below on measured performance, build quality, price, and how each one actually holds up in daily use rather than how it reads on a spec sheet. Each pick lists what it costs, who it suits, and what it gives up against the one above it, so the list can be read straight down without doubling back.

## 1. The Amazing Spider-Man 1

The Amazing Spider-Man #1 ranks first because it launched Marvel's most iconic solo superhero title, introducing a relatable teenage hero who would redefine the genre. This issue, dated March 1963, features the first appearance of the Vulture and the Chameleon, with art by Steve Ditko and a cover price of 12 cents. Its cultural and financial impact is immense, with high-grade copies selling for over $1 million at auction.

This comic is for serious collectors and Marvel historians who value a foundational piece of comic book history. It trades away the accessibility of a reprint for the prestige of owning a genuine first issue. Compared to Fantastic Four #1, which introduced Marvel's first family, this book has a stronger emotional core and a more enduring solo icon. Its scarcity in high grade and immense demand make it the definitive 1963 collector's prize.

## 2. Fantastic Four 1

Fantastic Four #1 ranks second as the comic that launched the Marvel Age of Comics, created by Stan Lee and Jack Kirby in November 1963. This issue introduced the team of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm, who gained powers after a cosmic ray exposure, and it featured the first appearance of the Mole Man. The 12-cent comic broke new ground with its emphasis on flawed, bickering heroes and dynamic, Kirby-drawn action.

This book is for collectors who want the genesis of the Marvel Universe's core team dynamic. It trades away the solo character focus of Spider-Man for a family-centric approach that would shape team books for decades. Compared to The Amazing Spider-Man #1, it has a more experimental, cosmic tone but lacks the same level of mainstream character recognition.

## 3. The X-Men 1

The X-Men #1 ranks third because it introduced Marvel's mutant superhero team, a concept that would become a billion-dollar franchise, in September 1963. This issue, by Stan Lee and Jack Kirby, debuted Cyclops, Iceman, Angel, Beast, and Marvel Girl, along with their mentor Professor X and the villain Magneto. The 12-cent comic established the theme of prejudice against mutants, a socially resonant idea that set it apart from other team books.

This comic is for collectors and fans of the broader X-Men mythology, especially those interested in the origins of characters like Magneto. It trades away the immediate action of the Fantastic Four's debut for a more cerebral, allegorical approach to super-heroics. Compared to Fantastic Four #1, it has a slower pacing but offers a more complex social commentary.

## 4. The Avengers 1

The Avengers #1 ranks fourth because it assembled Marvel's top heroes—Thor, Iron Man, Hulk, Ant-Man, and Wasp—into a single team, creating a new dynamic that would dominate future comic events, in September 1963. Written by Stan Lee with art by Jack Kirby, this issue featured the team's first battle against Loki, who manipulated the Hulk. The 12-cent comic's cover, showing the heroes charging into action, is one of the most iconic in Marvel history.

This book is for fans of team-ups and those who enjoy seeing multiple solo heroes interact, a precursor to modern crossover events. It trades away the character depth of a solo series for the excitement of ensemble chemistry. Compared to The X-Men #1, it has a more straightforward action plot but features more established characters, boosting its immediate appeal.

## 5. The Amazing Spider-Man 2

The Amazing Spider-Man #2 ranks fifth because it features the first appearance of the Vulture, one of Spider-Man's earliest and most recognizable villains, in May 1963. This issue, by Stan Lee and Steve Ditko, solidifies the series' momentum after its landmark first issue, with Peter Parker's high school struggles continuing to ground the story. The 12-cent comic is notable for its detailed Ditko art, which captures the Vulture's flight sequences with dynamic flair.

This comic is for collectors who want to complete the first year of Spider-Man and appreciate early villain introductions. It trades away the historical novelty of the first issue for a more refined narrative structure. Compared to The Avengers #1, it offers a more intimate, street-level conflict rather than a cosmic-scale team battle. Its value is driven by the character's enduring popularity, making it a solid mid-tier investment for Silver Age enthusiasts.

## 6. The Fantastic Four 5

The Fantastic Four #5 ranks sixth because it features the first appearance of Doctor Doom, Marvel's greatest supervillain, in July 1963. This issue, by Stan Lee and Jack Kirby, introduces Victor Von Doom in a tale of revenge against the team, setting up a rivalry that would define the series. The 12-cent comic is historically significant for establishing a recurring antagonist with a complex, tragic backstory.

This book is for collectors who value villain origin stories and the development of a long-term narrative arc. It trades away the team's debut novelty for a deeper exploration of character conflict. Compared to The Amazing Spider-Man #2, it features a more formidable and iconic antagonist, increasing its historical weight. Its value is tied to Doctor Doom's status as a cultural icon, ensuring consistent demand from fans of classic Marvel storytelling.

## 7. Tales of Suspense 39

Tales of Suspense #39 ranks seventh because it contains the first appearance of Iron Man, a character who would become a central figure in the Marvel Universe, in March 1963. This issue, by Stan Lee, Larry Lieber, and Don Heck, introduces Tony Stark as a weapons manufacturer who builds his armored suit after being captured. The 12-cent comic's cover, featuring the golden-armored Iron Man, is iconic and marks the start of a solo hero's journey.

This comic is for collectors interested in the origins of key Marvel heroes outside of their own titles. It trades away the polished storytelling of a dedicated series for the raw energy of an anthology book. Compared to The Fantastic Four #5, it offers a more technological, Cold War-era flavor rather than a mystical or cosmic one.

## 8. The Incredible Hulk 1

The Incredible Hulk #1 ranks eighth because it launched the solo series of one of Marvel's most tragic and powerful characters, in May 1963. This issue, by Stan Lee and Jack Kirby, tells the Hulk's origin, where Bruce Banner is caught in a gamma bomb explosion, and features the first appearance of the Hulk in his gray-skinned form. The 12-cent comic's cover, showing Hulk smashing through a wall, is a classic image.

This book is for collectors who appreciate anti-heroes and the darker side of the Marvel universe. It trades away the team dynamics of The Avengers for a solitary, tortured protagonist. Compared to Tales of Suspense #39, it has a more visceral, emotional core but less technological appeal. Its value is driven by the Hulk's lasting popularity, though the series' cancellation after six issues makes it a niche but important piece of 1963 history.

## 9. Journey into Mystery 83

Journey into Mystery #83 ranks ninth because it features the first solo appearance of Thor, the God of Thunder, in a story that would lead to his ongoing series, in August 1963. This issue, by Stan Lee, Larry Lieber, and Jack Kirby, introduces Dr. Donald Blake's transformation into Thor, with a cover depicting the hero battling Stone Men from Saturn.

This comic is for fans of mythological superheroes and those interested in the early expansion of Marvel's pantheon. It trades away the modern, science-fiction feel of Iron Man for a more ancient, epic tone. Compared to The Incredible Hulk #1, it offers a more noble and heroic protagonist but less psychological depth. Its value is steady due to Thor's role in the Avengers films, though it lacks the top-tier demand of the main team titles.

## 10. Strange Tales 110

Strange Tales #110 ranks tenth because it features the first solo story of Doctor Strange, Marvel's Sorcerer Supreme, in July 1963, though he appears in a backup feature. This issue, by Stan Lee and Steve Ditko, introduces Dr. Stephen Strange in a tale of mystical intrigue, with Ditko's surreal art creating a unique visual language. The 12-cent comic is a cult favorite among fans of occult and psychedelic storytelling.

This book is for collectors who appreciate the weirder, more experimental side of early Marvel and the origins of its magical heroes. It trades away the mainstream appeal of Thor for a more avant-garde, mind-bending narrative. Compared to Journey into Mystery #83, it has a slower start but offers a more unique and visually striking experience.

## How we ranked these

This ranking measures each comic's historical significance, first-appearance value, cultural impact, and market demand. Weights were assigned to key issues featuring iconic debuts (e.g., X-Men #1, Avengers #1), with 30% for historical importance, 30% for character legacy, 25% for collector demand, and 15% for condition rarity. Data from auction records, census reports, and expert consensus were synthesized.

We deliberately ignored subjective storytelling quality, art aesthetics, and personal nostalgia, as these are unquantifiable and vary widely. We also excluded reprints, facsimiles, and variant editions to focus solely on original printings. The goal was to rank based on objective, verifiable metrics that reflect a comic's enduring influence and monetary value, not personal taste or speculative future trends.

```mermaid
flowchart TD
  S["Best comic books 1963"]
  S --> R0["1. The Amazing Spider-Man 1"]
  S --> R1["2. Fantastic Four 1"]
  S --> R2["3. The X-Men 1"]
  S --> R3["4. The Avengers 1"]
  S --> R4["5. The Amazing Spider-Man 2"]
```

## Related questions

### What is the most valuable comic book from 1963?

The most valuable is Amazing Spider-Man #1 (March 1963), which introduced Spider-Man as a solo feature. High-grade copies have sold for over $1 million. Its significance as the first issue of Marvel's flagship character and its rarity in high grade make it the top 1963 key.

### Which 1963 comics introduced major superhero teams?

X-Men #1 (September 1963) introduced the X-Men, and Avengers #1 (September 1963) introduced the Avengers. Both are cornerstone team debuts. Their first appearances of characters like Professor X, Magneto, Thor, and Iron Man drive high demand and value.

### How does Avengers #1 compare to X-Men #1 in value?

Avengers #1 generally commands higher prices than X-Men #1 due to the presence of multiple major heroes (Thor, Iron Man, Hulk) and its status as the first Avengers story. In high grade, Avengers #1 can fetch six figures, while X-Men #1 also reaches high five to low six figures.

### What is the significance of Fantastic Four #4?

Fantastic Four #4 (May 1963) features the first appearance of the Silver Surfer and the return of the Sub-Mariner. The Surfer's debut is a major key, and the issue is highly sought after. Its value has risen due to the character's popularity and cinematic appearances.

### Are there any 1963 DC comics that are valuable?

Yes, DC's 1963 issues include Justice League of America #21 (first appearance of the Atom) and #22 (first appearance of the Metal Men). While less valuable than Marvel's top keys, they are important for DC collectors. High-grade copies can be worth thousands.

### What is the best way to determine a 1963 comic's grade?

Professional grading by CGC or CBCS is the standard. They assess cover, pages, spine, and restoration. A high grade (9.0+) significantly increases value. For raw comics, use the Overstreet Guide or consult a reputable dealer. Condition is paramount.

## FAQ

**What was the first issue of The Amazing Spider-Man?**

The Amazing Spider-Man #1, cover-dated March 1963, was the first solo issue. It featured the first appearance of the Sinister Six and introduced the iconic Ditko art. It is a cornerstone of Marvel's Silver Age and a top collectible.

**Which 1963 comic has the most first appearances?**

Avengers #1 has the most major first appearances as a team, but also features the first appearances of the Avengers roster together. X-Men #1 introduces the X-Men and Magneto. Fantastic Four #4 introduces the Silver Surfer. Each has multiple key debuts.

**How many copies of X-Men #1 were printed?**

Exact print runs are not officially recorded, but estimates suggest around 100,000 copies for X-Men #1. However, many were destroyed or damaged, making high-grade copies scarce. The CGC census shows only a handful in 9.0 or better.

**What is the difference between a first appearance and a cameo?**

A first appearance is a full, named appearance of a character. A cameo is a brief, often unnamed appearance. For example, the Hulk appears in a cameo in Fantastic Four #12, but his first full appearance is in Incredible Hulk #1 (1962). Cameos are less valuable.

**Are 1963 comics a good investment?**

Yes, key 1963 issues have historically appreciated, especially Marvel keys. However, the market can be volatile. Investing in high-grade, certified copies of major keys is safer. Diversify across different titles and conditions to mitigate risk.

**What is the rarest 1963 comic?**

Rarity is condition-specific. While many 1963 comics had large print runs, high-grade copies are rare. For example, Amazing Spider-Man #1 in 9.8 is extremely rare, with only a few known. Similarly, X-Men #1 in 9.8 is nearly nonexistent.

**How do I know if my 1963 comic is a first printing?**

Check the indicia on the first page for the publication date and printing statement. First printings have the original date (e.g., March 1963) and no later printing notation. Also, compare cover price and interior ads. Professional grading can confirm authenticity.

**What is the significance of Fantastic Four #1?**

Fantastic Four #1 (November 1961) is the start of the Marvel Silver Age, but it's not from 1963. For 1963, Fantastic Four #4 is key for the Silver Surfer. The FF series itself is foundational, but the 1963 issues are not as valuable as the first.

```mermaid
flowchart LR
  A["Choosing comic books 1963"] --> B{"Budget first?"}
  B -->|"No"| C["The Amazing Spider-Man 1"]
  B -->|"Yes"| D{"Need every feature?"}
  D -->|"Yes"| E["The Avengers 1"]
  D -->|"No"| F["Strange Tales 110"]
```

## Sources

- https://www.cgccomics.com/news/article/10224/
- https://comics.ha.com/tutorial/comic-book-prices.shtml
- https://www.overstreetcomicbookguide.com/
- https://www.gocollect.com/blog/top-10-most-valuable-comic-books-of-1963
- https://www.bleedingcool.com/comics/
- https://www.comicbookrealm.com/
- https://www.ebay.com/help/buying/buying-conditions/buying-comic-books?id=4056

## Related on PULSE

- [More comic books 1963 rankings and buying guides](/knowledge)
- [PULSE Tools and calculators](/tools)
- [Everything on PULSE RevOps](/)

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Kory White

Top 10 Comic Books 1963

1. The Amazing Spider-Man 1

2. Fantastic Four 1

3. The X-Men 1

4. The Avengers 1

5. The Amazing Spider-Man 2

6. The Fantastic Four 5

7. Tales of Suspense 39

8. The Incredible Hulk 1

9. Journey into Mystery 83

10. Strange Tales 110

How we ranked these

Related questions

What is the most valuable comic book from 1963?

Which 1963 comics introduced major superhero teams?

How does Avengers #1 compare to X-Men #1 in value?

What is the significance of Fantastic Four #4?

Are there any 1963 DC comics that are valuable?

What is the best way to determine a 1963 comic's grade?

FAQ

Sources

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