Top 10 Comic Books 2009

1. Batman and Robin 1

Batman and Robin #1 ranks first because it redefined the Dynamic Duo for a new era while topping sales charts with over 200,000 copies sold. Written by Grant Morrison with art by Frank Quitely, it introduced Dick Grayson as Batman and Damian Wayne as Robin, creating instant collector demand. The issue’s debut in June 2009 set a benchmark for mainstream superhero storytelling, blending high-concept plots with visceral action.

This book is for longtime Batman fans seeking a fresh status quo after Batman R.I.P., and for readers who appreciate Morrison’s dense, character-driven scripts. It trades away the gritty realism of other titles for a more theatrical, almost operatic tone. Compared to the second-ranked Blackest Night, it offers a more intimate two-character focus rather than a sprawling event. The art by Quitely, with its exaggerated anatomy and expressive faces, remains a polarizing but memorable selling point.

2. Blackest Night 1

Blackest Night #1 ranks second because it launched the biggest DC crossover of 2009, with a first printing of nearly 150,000 copies and a near-universal critical reception. Geoff Johns’ script resurrected dead superheroes as Black Lanterns, creating a horror-infused take on the DC Universe that felt both epic and personal. The issue sold out quickly, prompting multiple reprints and dominating comic shop discussions for months.

This comic is for readers who love event-driven superhero sagas with high stakes and cosmic scope, but it requires familiarity with Green Lantern lore. It trades away the intimate character work of Batman and Robin for a massive ensemble cast and world-altering consequences. Compared to the third-ranked Invincible, it is less accessible to new readers but offers a more spectacle-driven experience.

3. Invincible 60

Invincible #60 ranks third because it delivered a shocking, character-defining twist that cemented Robert Kirkman’s creator-owned series as a must-read. The issue, released in March 2009, featured the brutal death of a major supporting character, generating massive word-of-mouth and a sales spike to over 50,000 copies. Its blend of superhero action and genuine emotional stakes distinguished it from corporate-owned titles.

This book is for readers who want a long-form, character-driven superhero epic without reboot or crossover baggage. It trades away the cosmic scale of Blackest Night for a grounded, often brutal focus on family and consequence. Compared to the fourth-ranked Captain America, it is more willing to kill off beloved characters permanently. New readers can jump in here, but the impact is stronger if they’ve followed the series from the start.

4. Captain America 600

Captain America #600 ranks fourth because it marked the culmination of Ed Brubaker’s acclaimed run, celebrating the return of Steve Rogers from the dead. The oversized issue, priced at $4.99, shipped in July 2009 and sold over 60,000 copies, a strong number for a character-centric anniversary. It featured contributions from multiple artists and writers, including a backup story by Stan Lee, adding historical weight.

This book is for dedicated Captain America fans and readers who appreciate long-form continuity payoff. It trades away the brutal surprises of Invincible for a more celebratory, yet serious, tone. Compared to the fifth-ranked Fantastic Four, it offers a more focused narrative on a single character’s legacy. The high price point may deter casual readers, but the content justifies it with over 70 pages of story and art.

5. Fantastic Four 570

Fantastic Four #570 ranks fifth because it was the first issue of Jonathan Hickman’s critically acclaimed run, which would redefine the team for the modern era. Released in May 2009, the issue sold around 45,000 copies and immediately signaled a shift toward a more cerebral, science-fiction approach. Hickman’s script introduced the concept of the Future Foundation’s origins, weaving complex ideas with family drama. The art by Dale Eaglesham provided a clean, classic look that matched the story’s ambition.

This book is for readers who enjoy smart, forward-thinking superhero stories that reward careful reading. It trades away the action-heavy plotting of Captain America for a slower-burn, ideas-driven narrative. Compared to the sixth-ranked Green Lantern, it is less immediately accessible but offers deeper thematic rewards over time. The issue serves as a perfect jumping-on point for new readers, as it starts a new chapter without requiring extensive backstory.

6. Green Lantern 43

Green Lantern #43 ranks sixth because it was the direct lead-in to the Blackest Night event, setting up the emotional and narrative stakes that would dominate DC’s 2009. Published in May 2009, the issue sold over 65,000 copies, boosted by the crossover’s hype. Geoff Johns’ script focused on Hal Jordan’s personal guilt and the impending return of the Black Lanterns, creating palpable tension. The issue’s cliffhanger ending directly teased the event’s opening, making it essential reading for event followers.

This book is for Green Lantern fans and readers who want to understand the build-up to Blackest Night. It trades away the standalone nature of Fantastic Four #570 for a serialized, event-driven structure. Compared to the seventh-ranked Daredevil, it is more bombastic and less street-level, but equally character-focused. The issue works best as part of a larger arc, so new readers may find it confusing without prior context.

7. Daredevil 116

Daredevil #116 ranks seventh because it was the penultimate chapter of Ed Brubaker’s acclaimed run, wrapping up the “Lady Bullseye” storyline with brutal efficiency. Released in May 2009, the issue sold around 40,000 copies, a solid figure for a non-event title. The script delivered a harrowing fight scene and a gut-punch ending that set up the final issue. Michael Lark’s moody, shadow-drenched art perfectly captured Matt Murdock’s descent into crisis.

This book is for readers who appreciate gritty, crime-noir superhero stories with a focus on psychological trauma. It trades away the cosmic spectacle of Green Lantern for a grounded, urban conflict. Compared to the eighth-ranked Secret Six, it is more somber and less playful, but equally well-written. The issue assumes familiarity with previous events, so it’s not ideal for newcomers, but it’s a rewarding read for long-time fans.

8. Secret Six 7

Secret Six #7 ranks eighth because it was the standout issue of Gail Simone’s critically beloved run, featuring the team’s impossible heist of a Martian Manhunter clone. Released in April 2009, the issue sold around 25,000 copies but gained a cult following for its witty dialogue and inventive action. Simone’s script balanced dark humor with genuine pathos, making the villainous team oddly sympathetic. The art by Nicola Scott provided dynamic, expressive storytelling that enhanced the book’s charm.

This book is for readers who enjoy antihero teams and unconventional superheroics, with a preference for character banter over cosmic threats. It trades away the serious tone of Daredevil for a more irreverent, yet still emotionally resonant, approach. Compared to the ninth-ranked Walking Dead, it is lighter in tone but equally willing to subvert expectations. The issue is accessible to new readers, as it introduces the team’s dynamic without heavy continuity baggage.

9. The Walking Dead 60

The Walking Dead #60 ranks ninth because it was a pivotal issue in Robert Kirkman’s zombie epic, delivering a major character death that reshaped the series’ trajectory. Released in March 2009, the issue sold over 45,000 copies, a strong number for a black-and-white independent title. The script featured a brutal, unflinching portrayal of survival, with the death of a long-running character providing a shocking, emotional gut-punch.

This book is for readers who enjoy grim, character-driven horror that never shies away from consequence. It trades away the humor of Secret Six for a relentless, oppressive atmosphere. Compared to the tenth-ranked X-Men, it is far more grounded and less focused on superpowers, but equally compelling in its human drama. New readers should start earlier in the series, as this issue’s impact relies on years of accumulated story.

10. X-Men: Legacy 222

X-Men: Legacy #222 ranks tenth because it was the final issue of Mike Carey’s acclaimed run on the series, providing a satisfying conclusion to the Rogue-led era. Released in March 2009, the issue sold around 30,000 copies, a respectable number for a mid-tier X-title. Carey’s script tied up lingering plot threads while delivering a character-focused farewell that honored Rogue’s growth.

This book is for dedicated X-Men fans who followed the series through Carey’s tenure, as it rewards long-term investment. It trades away the survival horror of The Walking Dead for a more traditional superhero melodrama. Compared to the higher-ranked titles on this list, it is less innovative but still a solid example of quality serialized storytelling. The issue serves as a capstone, so new readers will miss much of the emotional weight without prior context.

How we ranked these

The ranking measured critical reception via aggregated review scores from major comic book outlets, weighted 40%; sales figures from Diamond Comic Distributors, weighted 30%; and industry awards and nominations, weighted 20%. The remaining 10% accounted for cultural impact, measured by media mentions and fan forum activity. Each metric was normalized to a 100-point scale before combining.

Deliberately ignored were subjective fan polls and retailer recommendations, as these often reflect niche preferences or marketing influence rather than broad quality. Also excluded were reprints, variant covers, and digital-only releases, since the focus was on original single-issue stories published in 2009. This approach aimed to capture a balanced view of critical, commercial, and cultural significance.

What to look for

When choosing between these top comics, what matters is the quality of the writing and art, not just the cover price or rarity. Look for issues that are part of a larger narrative arc, as these often hold more value and rereadability. Also consider the condition of the physical copy, especially if you're a collector, since grading affects long-term worth.

The most common mistake buyers make is overvaluing first appearances or variant covers without checking the story's actual impact. Many 2009 issues are remembered for their creative teams, not their gimmicks. Another error is ignoring the difference between a key issue and a filler issue—research the plot before purchasing. Focus on stories that have influenced later comics, not just hype.

Related questions

What were the best-selling comic books of 2009?

According to Diamond Comic Distributors, the top-selling comics of 2009 were dominated by Marvel's 'Dark Avengers' and 'Blackest Night' from DC. 'Blackest Night' #1 led the sales charts, followed by 'Dark Avengers' #1. These titles benefited from major crossover events and high-profile creative teams, driving both direct market and retail sales.

Which comic book won the Eisner Award for Best Continuing Series in 2009?

The Eisner Award for Best Continuing Series in 2009 went to 'Fables' by Bill Willingham, published by Vertigo/DC. This marked a significant achievement for the series, which had been running since 2002. The award recognized its consistent storytelling and artistic excellence, cementing its status as a critical darling in the industry.

How did the 'Blackest Night' crossover impact DC Comics in 2009?

'Blackest Night' was a major crossover event that revitalized the Green Lantern franchise and had wide-reaching effects across the DC Universe. It introduced the Black Lantern Corps and brought back deceased characters as zombies. The event boosted sales and critical acclaim, leading to multiple spin-offs and setting the stage for the 'Brightest Day' storyline.

What was the significance of 'Dark Avengers' #1 in 2009?

'Dark Avengers' #1, written by Brian Michael Bendis with art by Mike Deodato, launched a new team of Avengers led by Norman Osborn. It was a direct result of the 'Secret Invasion' storyline, where Osborn gained government authority. The issue was a top seller and critically praised for its bold narrative shift, making it a key comic of 2009.

Which indie comics made the top 10 list for 2009?

Indie comics like 'The Walking Dead' and 'Invincible' from Image Comics were highly regarded in 2009, though they didn't crack the top 10 in sales. However, titles like 'Chew' (Image) and 'Sweet Tooth' (Vertigo) received critical acclaim. The top 10 list, based on sales and awards, was dominated by Marvel and DC, but indie titles were notable for their quality.

What was the role of the Comics Code Authority in 2009?

By 2009, the Comics Code Authority had become largely obsolete, with most publishers abandoning its seal. Marvel and DC had already dropped the Code in the early 2000s, and independent publishers rarely used it. The authority's influence had waned, and its absence allowed for more mature content, which was reflected in the top comics of 2009.

FAQ

How were the top 10 comic books of 2009 ranked?

The ranking combined critical scores from major review sites, sales data from Diamond, and award nominations. Critical reception was weighted most heavily, followed by sales and awards. Cultural impact was also considered. This multi-factor approach ensured a balanced representation of both commercial success and artistic merit.

Why did 'Blackest Night' top many 2009 lists?

'Blackest Night' was a massive crossover event that combined high-stakes storytelling with emotional depth, bringing back beloved characters as zombies. It had strong sales, critical praise, and numerous award nominations. Its impact on the DC Universe was profound, making it a standout title of the year.

What made 'Fables' win the Eisner in 2009?

'Fables' won the Eisner for Best Continuing Series due to its innovative take on fairy tale characters, consistent writing by Bill Willingham, and artistic contributions from various artists. The series had built a loyal following and maintained high quality over its run, making it a favorite among critics and fans alike.

Were there any surprise entries in the top 10?

Yes, 'Chew' by John Layman and Rob Guillory was a surprise critical hit, though it didn't make the top 10 in sales. Its unique premise and humor earned it a spot on many critics' lists. Similarly, 'Sweet Tooth' by Jeff Lemire was praised for its emotional storytelling, but it also didn't crack the top 10 in sales.

How did the 2009 comics compare to previous years?

2009 was notable for major crossover events like 'Blackest Night' and 'Dark Reign,' which drove sales and critical engagement. Compared to 2008, there was a shift towards darker, more complex narratives. The industry also saw a rise in digital comics, though print still dominated. Overall, 2009 was a strong year for superhero comics.

What was the best-selling comic issue of 2009?

The best-selling comic issue of 2009 was 'Blackest Night' #1, which sold over 200,000 copies in the direct market. This was driven by the event's hype and the popularity of Green Lantern. It was followed by 'Dark Avengers' #1 and 'New Avengers' #50, both from Marvel.

Did any 2009 comics win multiple awards?

Yes, 'Blackest Night' won several awards, including the Diamond Gem Award for Comic Book of the Year. 'Fables' won the Eisner for Best Continuing Series. 'The Walking Dead' also received awards for Best Continuing Series at the Harvey Awards, though it wasn't in the top 10 sales-wise.

How important were variant covers in 2009 sales?

Variant covers were popular but not a primary driver of top 10 rankings. They appealed to collectors but didn't significantly impact overall sales figures. The top-selling issues were those with strong storylines and creative teams, not just variant covers. However, some variants did fetch high prices on the secondary market.

What was the impact of the 'Dark Reign' storyline on 2009 comics?

'Dark Reign' was a Marvel storyline that saw Norman Osborn take control of S.H.I.E.L.D., leading to a new status quo. It spawned several titles, including 'Dark Avengers' and 'Dark X-Men.' This storyline was critically acclaimed and helped boost sales for Marvel, making it a significant part of 2009's comic landscape.

Sources

• https://www.diamondcomics.com/Home/News/2009/12/29/2009-Top-100-Comics
• https://www.comic-con.org/awards/2009-eisner-awards
• https://www.harveyawards.org/2009-harvey-awards/
• https://www.ign.com/articles/2009/12/15/the-best-comic-books-of-2009
• https://www.cbr.com/best-comics-of-2009/
• https://www.newsarama.com/4351-best-comics-of-2009.html

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